Cambodia is a country which is full of culture and rich in civilization in Southeast Asia. Besides the cultural heritage, ancient temples, and traditional arts, there are intangible cultural heritages everywhere in Cambodia, this country there are also many different traditional intangible cultural heritage of their Khmer ancestors. 

Rice Paper in Cambodian is made in Battambang province located northwest of Cambodia. The province is known for the rice bowl of the Kingsom; therefore, the supply of rice is enough for the making of rice paper. Natives of Battambang cook the rice paper by using the steamer which is traditionally made of Cambodian buffalo skin while now villagers only use clothes steamer, where the rice bran is flattering over boiling water. The hard buffalo skin which helps to protect the small grains of rice from getting burned.

Transportation has always played a significant role in human's life not only in the modern society but also in the ancient time. With sweeping technological changes, transportation is one of the main factors of each country because people have to move from place to place. 

Chapei Dang Veng (A Cambodian two-stringed, long-necked guitar) is used in Arak and Pleng Ka orchestras. Moreover, it is also performed solo instruments accompaniment of poetry, narrated folk stories, vocal duets of an argumentative style and riddle telling. Due to this special feature of the instrument which has brought it great popularity from early times right up to today and its music has been delighted by the Khmer people for many generations. 

Traditionally, Num Ansom or Khmer sticky rice cake is a traditional cake that Cambodians make during the big celebrations of the year such as Khmer New Year and Pchum Ben Day (Ancestor Day). During this time, most families in the countryside of Cambodia will make Num Ansorm as offering to the monks and their ancestors, as well as being a special gift for relatives or friends from the city coming to visit. If you have ever wondered how the Khmer sticky rice cake is prepared, read on to find out.

Baok Chambab is Cambodian traditional wrestling; a sport in which two opponents try to pin (hold) each other’s back to the ground. It has been practiced as far back as the Angkor period and is depicted on the bas-relief of the certain temple. The earliest form of Khmer traditional wrestling was called Maloyuth. Maloyuth was created in 788 A.D. by Brahmin Timu. It evolved to the current form of wrestling, Bok Cham Bab, in the 8th century. Although predominantly a male sport today, Khmer wrestling was once practiced by both sexes as female wrestlers are also displayed on the Banteay Srei temple.

The vibrant capital is filled with far more color and culture, and some of the best places to witness the unmatched charm of the city are at its traditional markets. There should be plenty of time to go shopping in many markets. The Pksar Thom Thmei or the Central Market erected in Art Deco in 1930 (1935-1937) is a Phnom Penh landmark.

The archaeological site of Sambor Prei Kuk, “the temple in the richness of the forest” in the Khmer language, has been identified as Ishanapura, the capital of the Chenla Empire (Chenla Kingdom) that flourished in the late 6th and early 7th till 9th centuries CE. It is located in Kampong Thom Province, 30 km (19 miles) north of Stueng Sen city, 176 km (109 miles) east of Angkor and 206 (128 miles) north of Phnom Penh.

Tugging rituals and games in the rice-farming cultures of East Asia and Southeast Asia are enacted among communities to ensure abundant harvests and prosperity. They promote social solidarity, provide entertainment and mark the start of a new agricultural cycle. Many tugging rituals and games also have profound religious significance.

Bokator, known formally as Labokator, is a Khmer material art form that involves close hand-to-hand combat, ground techniques, and weapons. Bokator is one of the earliest Khmer material art and second in age only to the Mon-Khmer style of Yuthakun Khom. Moreover, this martial art is said to be the close quarter combat system used by the armies during the Angkor era. Practitioners are trained to strike with knees, elbows, hands feet, and even the head. Short sticks are commonly used as a weapon.

Banteay Srei temple is a 10th-century Cambodian temple dedicated to the Hindu god Shiva. Located in the area of Angkor, it lies near the hill of Phnom Dei, 25 km (16 miles) north-east of the main group of temples that once belonged to the medieval capitals of  Yasodharapura and Angkor Thom. Banteay Srei is built largely of red sandstone, a medium that lends itself to the elaborate decorative wall carvings which are still observable today. The buildings themselves are miniature in scale, unusually so when measured by the standards of Angkorian construction. These factors have made the temple extremely popular with tourists, and have led to its being widely praised as a "precious gem", or the "jewel of Khmer art.

The Preah Vihear temple is a Khmer temple located spectacularly atop Pey Tadi, slightly east of the midsection of the mountain range of the Dangrek, being in Svay Chrum village, Kan Tout commune, Choam Khsant district, in the Preah Vihear province of northern Cambodia. It is also perched on the edge of a giant cliff, 525-meter (1720 ft) above the Cambodian plain and 625-meter (2051ft) above sea level. Lying out on an 800-meter north-south axis, the Preah Vihear complex has a single imposing approach, leading up through a series of five Gopura (towered entrance pavilions) connected by causeways and 120-meter-long steps. The temple gives its name to Cambodia’s Preah Vihear province and is 140km from Angkor Wat; approximately 460 km from Phnom Penh.