Krama (Khmer Scarf)
Kramar is a sturdy traditional Cambodian garment and signifies the Khmer cultural identity with many daily-life uses and ornate by all segments and religions.
The artistic legacy of Cambodian ancestors is a testament to their remarkable creativity and thoughtfulness, leaving an indelible mark on the country’s cultural heritage. In various forms and shapes, from intricate temple carvings to vibrant paintings, their artistry showcases a profound understanding of aesthetics and a deep connection to their surroundings. Each masterpiece carries a story, representing the customs, beliefs, and aspirations of a people who valued beauty, spirituality, and self-expression. The world recognizes and appreciates the ingenuity and dedication of Cambodian ancestors, whose artistic creations continue to inspire and captivate audiences across generations. Their art stands as a symbol of Cambodia’s rich history, a source of national pride, and a reminder of the enduring power of human imagination and creativity.
We cannot say enough about the greatness of art Cambodian ancestors have left for this country in so many forms and shapes. Their creativity and thoughtfulness are so incredible and appreciated by the world.
Kramar is a sturdy traditional Cambodian garment and signifies the Khmer cultural identity with many daily-life uses and ornate by all segments and religions.
When contemporary innovation takes control, it is common for old-school items to vanish gradually. Khmer Ox-carts, however, is more than simply old artifacts; they were the ‘Mercedes-Benz’ of Cambodia’s bygone civilizations. As a result, Cambodians should preserve such a deep-rooted tool for younger people who wish to appreciate it or for those who still use it.
Chapei Dang Veng (A Cambodian two-stringed, long-necked guitar) is used in Arak and Pleng Ka orchestras. Moreover, it is also performed solo instruments accompaniment of poetry, narrated folk stories, vocal duets of an argumentative style […]
Boak Chambab is Cambodian traditional wrestling; a sport in which two opponents try to pin (hold) each other’s back to the ground. It has been practiced as far back as the Angkor period and is depicted on the bas-relief of a certain temple.
Lakhaon Bassac is originated in Bassac district, Khleang province in front of Preah Trapeang province, Cochinchine or Kampuchea Krom.
Banteay Srei temple is a 10th-century Cambodian temple dedicated to the Hindu god Shiva. Located in the area of Angkor, it lies near the hill of Phnom Dei, 25 km (16 miles) north-east of the main group of temples that once belonged to the medieval capitals of Yasodharapura and Angkor Thom.
Kun Lbokator, known formally as Lbokator (គុនល្បុក្កតោ), is a Khmer martial art form that involves close hand-to-hand combat, ground techniques, and weapons. Lbokator is one of the earliest Khmer martial art dating back to early Angkorian period.
Apsara Dance is one of many dances in the Khmer Classical Dance. This dance invented in the mid-20th Century by the Royal Ballet of Cambodia, under the patronage of Queen Sisowat Kosamak.
Robam Jun Por (Blessing Dance) is traditionally performed at the beginning of a ceremony to greet, bless, and offer good wishes to the audience.